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Couleurs! takes over the Grimaldi Forum until August 31, 2025. This standout exhibition, born from a rare collaboration with the Centre Pompidou—currently closed for renovations—brings more than 100 masterpieces to Monaco.

Curated by Didier Ottinger, Deputy Director of the Musée National d’Art Moderne, Couleurs! at the Grimaldi Forum offers more than a simple artistic retrospective: it is a sensory journey through the modern history of color, from Matisse to Basquiat, with stops at Picasso, Magritte, Kandinsky, Chagall, and Louise Bourgeois.

“A new subject calls for a new form”

“The exhibition explores how color was used and what it meant to artists of the 20th and early 21st centuries,” explains the curator. Its greatest originality? “It lies in its very subject. Although color may seem obvious, even banal, it has in fact inspired very few exhibitions. A new subject calls for a new form. The entire exhibition is housed within a ‘drum’ which, seen from above, takes the shape of a ‘color wheel’—the basic tool used by scientists and painters alike to map the relationships between nature and the sequence of colors.”

A chromatic journey

The scenography invites visitors to wander freely between two pathways. Along the outer ring, seven spaces are devoted to the great colors—blue, red, pink, yellow, white, black, and green—each showcasing major 20th-century works. At the heart of the exhibition, a multisensory immersion awaits: each monochrome is paired with sound compositions by Roque Rivas (IRCAM) and olfactory atmospheres created by Alexis Dadier for Fragonard. This synesthetic experience lets color resonate beyond sight, giving it texture, scent, and vibration.

Between art and design

The exhibition also blurs the boundaries between fine art and applied arts. Iconic pieces by Jean Prouvé, Ettore Sottsass, Philippe Starck, and Ron Arad appear within settings imagined by architect Marion Mailaender, who designs interiors where color interacts with everyday life.

Color as freedom

For Didier Ottinger, color is not a fixed theory but a living, elusive material: “It is felt more than it is explained.” From Kandinsky’s spiritual azure to the Guerrilla Girls’ subversive pink, or Warhol’s incandescent reds, each work reveals a unique, deeply personal appropriation.

Blue: from serenity to the blues

Interpretations of color shift with time. For instance, in Antiquity the Romans associated blue with barbarism, but the Middle Ages rehabilitated it, giving it a central place in stained glass and church frescoes, reconnecting it with the serenity and spirituality once celebrated by the Egyptians. “For modern artists, blue can evoke sorrow and mourning in Picasso, the joy of life and dreamlike poetry in Miró. From Kandinsky to Klein, blue reconnects with the sky and the infinite, making it a profoundly ‘spiritual’ color. In autumn scenes painted by Larionov, blue also recalls the melancholic tint of nostalgia, the very hue that inspired the name of the musical ‘blues.’”

A symbolic celebration

With Couleurs!, the Grimaldi Forum celebrates its 25th anniversary while renewing its partnership with the Centre Pompidou, with whom it already collaborated in 2012 on the Extra Large exhibition. This new encounter marks an exceptional dialogue between Monaco and one of the world’s richest collections of modern and contemporary art.

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